In this dynamic of discourse and comodification one sometimes tends to overlook their initial intention and reason for existence. We considered compiling this exhibition as a process of 'uploading with circumstantial evidence', thus proposing a new circle of communication between different types of 'reflections'. By creating tensions, lines and links between the works, spaces and different types of information we aim for a set-up in which works, objects and documents can manifest themselves as stepping-stones.
Our knowledge is only based on our experiences and is therefore certainly not complete being always inflected by directions we develop through our own artistic practice.
With I've Got Something in My Eye we critically investigate the limits and possibilities of the collection as a whole as well as our own boundaries,