index
preface
p. 0
Between a rock and a hard place
p. 2
accumulate, collect, show
p. 6
Elements of composition [As above, so below]
p. 10
Inspiring positive change [clearing]
p. 14
point d'ironie
p. 18
are you really sure that a floor can't a...
p. 22
Speculation
p. 28
Learning From Vancouver
p. 36
Facts on the ground
p. 44
It isn't what it used to be and will nev...
p. 50
Unititled (Gold)
p. 54
Public Sculpture [sous les pavés, la p...
p. 60
Public Arena
p. 68
1440 minutes towards the development of a sit...
p. 74
Too late, too little, (and how) to fail grac...
p. 82
I've Got Something in My Eye
p. 86
The Smell of Success
p. 92
What colour would a chameleon take when place...
p. 98
Billboard
p. 102
Close Encounters
p. 106
Art is either plagiarism or revolution, or: s...
p. 112
Istanbul, 59 Locations: A Format For Nightcom...
p. 122
Ideas
p. 132
Sunset Cinema
p. 136
-4
index
The Disappearance Piece
p. 148
Laughing Gas
p. 158
Little Liars
p. 164
Fly Me To The Moon
p. 172
Loompanics
p. 178
Teach Me Something
p. 188
Ford Boxes
p. 194
Trinity (April 2, 2005)
p. 200
Biosphere2
p. 208
Past Imperfect
p. 218
Skinner*s Box
p. 226
Teasing Minds
p. 230
Life, once more, continues to be free and eas...
p. 234
52% happy
p. 242
Nomads in Residence / No. 19
p. 246
Untitled (after Miklos Erdely)
p. 258
Married by Powers
p. 266
City Oasis
p. 290
Lobby / Office Piece
p. 308
Model City
p. 318
Insert
p. 332
Love and Happiness
p. 338
Absolut Stockholm
p. 342
Birds Must Be Eliminated
p. 348
-3
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contact
- Grondherendijk 80, 3082 DJ Rotterdam, The Netherlands, +31(0)6 402 94 861,
info@bikvanderpol.net
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