Unlike the increasing types of surveillance in urban space, I confess I care
allows a choice to speak up and speak about -either individually, or in dialogue with others - the issues at stake in the city: the impact of urban developments, the shrinking of public space, limitations of civil rights and how this is experienced by citizens in their daily lives. Does one accept this all, as a state of exception, trusting that it will all return back to normal once the air is cleared of the Games?
I confess I care
draws upon a public that is not passive, but a public that is willing to become an active participant. In that sense they will disappear as a general 'public'; they will become articulate. The recordings made in the box will be transcribed to appear as part of a publication after the end of the show, as a sort of bid book and rem(a)inder of this specific moment, activated by the public.
Paralleling I confess I care
, the installation devised by Urban Subjects
grabs two historical moments in the dialectic of the production and closure of public space in Vancouver and one speculative future moment. The historical moments hover as grainy archival photographs.
Premier Bill Bennett and labour leader Jack Munro stand on the patio of Bennett’s house in Kelowna just after they have shaken hands to seal a deal “that would end the most massive protest in the province’s history”. This late-night meeting on November 13, 1983 lingers as the betrayal of "Operation Solidarity"
, a coalition of unions, community groups, students and activists, as it moved toward a general strike that was to counter the initial move in the game of neoliberalism in B.C. Hours of archival research did not churn up the specific image of Bennett and Munro shaking hands, yet that image is dramatically burned into social memory.
The second archival image is of Herbert Marcuse as he speaks to 1,300 students at Simon Fraser University on Tuesday, March 25, 1969. Marcuse was on campus in the wake of the November 1968 student takeover of the administration building that the RCMP ended; he was invited by radical professors and the Department of Politics, Sociology, and Anthropology that was purged following its push to democratize the university. At the time, Marcuse, a leading public intellectual, theorized everyday life within a “totally administered society”.